10. Bibliography

Titles are given in their original language; English glosses of Slovenian (and other non-English) titles are added in square brackets. Slovenian bibliographic conventions (e.g. str., idr., Pridobljeno iz) have been rendered in English.

• Adorno, T. W. (1997). Ästhetische Theorie (Gesammelte Schriften: in zwanzig Bänden; Bd. 7 ed.). Frankfut am Main: Suhrkamp.
• Adorno, T. W. (2004). Aesthetic Theory. London and New York: Continuum.
• Adorno, T. W. (2007). Minima moralia: refleksije iz poškodovanega življenja. Ljubljana: Založba /*cf. [Minima Moralia: Reflections from Damaged Life]
• Alward, P. (2012). Transparent Representation: Photography and the Art of Casting. Journal of Aesthetics and Art Criticism, 70(1), 9–18.
• Arbabi, S. (2011). The Complete Guide to Nature Photography. New York: Amphoto Books.
• ARSO. (17 October 2005). Zavod RS za varstvo narave. Retrieved 10 May 2016 from Vetrna elektrarna Volovja Reber in 20 kV kabelske povezave ter 110 kV povezovalni daljnovod RTP Ilirska Bistrica – TRP Volovja Reber, mnenje o sprejemljivosti posega: http://www.zrsvn.si/slo/download/2/2005/12/100_227_Volovja_reber_20_10_05.pdf. [Volovja Reber wind farm, 20 kV cable connections and 110 kV transmission line RTP Ilirska Bistrica – TRP Volovja Reber: opinion on the acceptability of the intervention]
• Baković, Z. (1 August 2015). Sobotna priloga. Božanski veter ali japonska estetika smrti. [Divine Wind, or the Japanese Aesthetics of Death]
• Bear, J. (2010). Magnum orbis: photographs from the end(s) of the Earth. Visual Studies, 25(2), 111–123.
• Berleant, A. (1992). The Aesthetics of Environment. Philadelphia: Temple University Press.
• Blake, W. (1998). Slutnja nedolžnosti. In N. Grafenauer (Ed.), Orfejev spev (pp. 568). Ljubljana: Nova Revija. [Auguries of Innocence]
• Born, M., Joliot-Curie, F., Rotblat, J. et al. (1997). Russel-Einsteinov manifest. Časopis za kritiko znanosti, 25(183), 197–201. [The Russell–Einstein Manifesto]
• Božovič, M. and Marek, M. (2013). Avanture znanosti o življenju. In Buffon, Maupertuis and Diderot, Razsvetljenske interpretacije narave (pp. 137–163). Ljubljana: Založba ZRC. [Adventures of the Science of Life]
• Brady, E. (1998). Imagination and the aesthetic appreciation of nature. Journal of Aesthetics and Art Criticism, 56(2), 139–147.
• Brady, E. (2007). Aesthetic Regard for Nature in Environmental and Land Art. Ethics, Place & Environment, 10, 287–300.
• Brezovar, S. (14 February 2015). Delo. Edvard Moser: Težave v delovanju možganov se pojavijo že pred pozabljanjem, pp. 22–23. [Edvard Moser: Problems in Brain Function Appear Even Before Forgetting]
• Budd, M. (2002). The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature. Oxford: Oxford University Press.
• Cankar, I. (1909). Kurent: starodavna pripovedka. Ljubljana: L. Schwentner. [Kurent: An Ancient Tale]
• Caputo, R. and Burian, P. K. (1999). National Geographic Photography Field Guide: Secrets to Making Great Pictures. National Geographic.
• Carlson, A. (1981). Nature, Aesthetic Judgment and Objectivity. Journal of Aesthetics and Art Criticism, 40, 15–27.
• Carlson, A. (1984). Nature and Positive Aesthetics. Environmental Ethics, 6, 5–34.
• Carlson, A. (2000). Aesthetics and the Environment: The Appreciation of Nature, Art and Architecture. London/New York: Routledge.
• Carlson, A. (2002). Hargrove, Positive Aesthetics, and Indifferent Creativity. Philosophy and Geography, 5(2).
• Carlson, A. (2008). Cenjenje in naravno okolje. Analiza, 12(1-2), 119–129. [Appreciation and the Natural Environment]
• Carlson, A. (2009). Nature and Landscape: An Introduction to Environmental Aesthetics. New York: Columbia University Press.
• Carlson, A. (2010). Contemporary Environmental Aesthetics and the Requirements of Environmetalism. Environmental Values, 19(3), 289–314.
• Carlson, A. (2010). On Aesthetically Appreciating Human Environments. Philosophy and Geography, 4(1), 9–24.
• Carlson, A. and Berleant, A. (2004). The Aesthetics of Natural Environments. Broadview Press.
• Carlson, A. and Lintott, S. (2008). Nature, Aesthetics, and Environmentalism: From Beauty to Duty. New York: Columbia University Press.
• Carroll, N. (2008). O tem, kako nas gane narava: med religijo in naravno zgodovino. Analiza, 12(1-2), 131–148. [On Being Moved by Nature: Between Religion and Natural History]
• Carruth, A. and Marzec, R. P. (2014). Environmental Visualization in the Anthropocene: Technologies, Aesthetics, Ethics. Public Culture, 26(2), 205–210.
• Carson, R. (1972). Nema pomlad. Ljubljana: Državna založba Slovenije. [Silent Spring]
• Connors, P. (2012). Fire Season: Field Notes from a Wilderness Lookout. Ecco.
• Crary, J. (2012). Tehnike opazovalca: videnje in modernost v devetnajstem stoletju. Ljubljana: Sophia. [Techniques of the Observer: On Vision and Modernity in the Nineteenth Century]
• Crawford, D. (1983). Nature and Art: Some Dialectical Relationships. Journal of Aesthetics and Art Criticism, 42(1), 49–58.
• Crawford, D. W. (2004). Scenery and the Aesthetics of Nature. In Carlson, Allen and Berleant, Arnold, The Aesthetics of Natural Environments (pp. 253–269). Peterborough: Broadview Press.
• Danto, A. (2000). Podeljevanje umetniškega statusa realnim predmetom: svet umetnosti. Analiza, 3-4, 15–26. [The Artworld (conferring art status on real objects)]
• Dawkins, R. (2006). Sebični gen. Ljubljana: Mladinska knjiga. [The Selfish Gene]
• Deleuze, G. (1998). Logika smisla. Ljubljana: Krtina. [The Logic of Sense]
• Dickie, G. (2000). Kaj je umetnost? Institucionalna analiza. Analiza, 3-4, 27–41. [What Is Art? An Institutional Analysis]
• Dobrovoljc, H. (2 February 2010). Delo. Okoljski, ne okolijski, pp. 15. ["Okoljski", not "okolijski" [on Slovenian usage]]
• Drenthen, M. and Keulartz, J. (2014). Environmental Aesthetics: Crossing Divides and Breaking Ground. Fordham University Press.
• Eco, U. (2006). Zgodovina lepote. Ljubljana: Modrijan. [History of Beauty]
• Elliot, R. (1982). Faking Nature. Inquiry: An Interdisciplinary Journal of Philosophy, 25, 81–93.
• Elliot, R. (2005). Ponarejanje narave. Analiza, 9(4), 67–78. [Faking Nature]
• Erzen, J. and Milani, R. (2013). Yearbook od the International Association for Aesthetics: Proceedings of the Bologna Conference, June 2012: Nature and the City. Beauty is Taking on New Form (Vol. 17). Sassari: International Association for Aesthetics.
• Ferry, L. (1998). Novi ekološki red: drevo, žival in človek. Ljubljana: Krtina. [The New Ecological Order: The Tree, the Animal and Man]
• Fisher, J. A. (1998). What the Hills Are Alive With: In Defense od the Sounds of Nature. Journal of Aesthetics and Art Criticism, 56, 167–179.
• Foster, C. (1998). The Narrative and the Ambient in Environmental Aesthetics. Journal of Aesthetics and Art Criticism, 56(2), 127–137.
• Gilpin, W. (1792). Three Essays: on Picturesque Beauty. London: Blamire.
• Godlovitch, S. (1998). Valuing Nature and the Autonomy of Natural Aesthetics. British Journal of Aesthetics, 38(2), 180–197.
• Godlovitch, S. (2004). Icebreakers: Environmentalism and Natural Aesthetics. In A. Carlson and A. Berleant, The Aesthetics of Natural Environments. Broadview Press.
• Greene, B. (2005). Tkanina vesolja: prostor, čas in tekstura resničnosti. Tržič: Učila International. [The Fabric of the Cosmos: Space, Time, and the Texture of Reality]
• Grušovnik, T. (2010). Tretji korak v etiškem zaporedju – Aldo Leopold in njegova deželska etika danes. Filozofija na maturi, 17(3/4), 85–91. [The Third Step in the Ethical Sequence – Aldo Leopold and His Land Ethic Today]
• Hadot, P. (2006). The Veil of Isis: An Essay on History of the Idea of Nature. Belknap Press of Harvard University Press.
• Hadot, P. (2009). Kaj je antična filozofija? Ljubljana: Krtina. [What Is Ancient Philosophy?]
• Hafstein, V. T. (2000). The Elves' Point of View: Cultural Identity in Contemporary Icelandic Elf-Tradition. Fabula, 41(1-2), 87–104.
• Hargrove, E. (1979). The Historical Foundations of American Environmental Attitudes. Environmental Ethics, 1, 209–240.
• Harris, M. (2014). The End of Absence: Reclaiming What We’ve Lost in a World of Constant Connection. New York: Penguin Group.
• Hegel, G. W. (2003). Predavanja o estetiki: uvod. Ljubljana: Društvo za teoretsko psihoanalizo. [Lectures on Aesthetics: Introduction]
• Hepburn, R. W. (1996). Landscape and the Metaphysical Imagination. Environmental Values, 5(3), 191–204.
• Hepburn, R. W. (2001). The Reach of the Aesthetic: Collected Essays on Art and Nature. Michigan University: Ashgate.
• Hepburn, R. W. (2006). Sodobna estetika in zanemarjanje naravne lepote. Analiza, 10(3), 45–65. [Contemporary Aesthetics and the Neglect of Natural Beauty]
• Herzog, W. (Director). (2010). Jama pozabljenih sanj [Film]. IFC Films, Sundance Selects. [Cave of Forgotten Dreams]
• Herzog, W. (Director). (2016). Glej in se čudi: sanjarjenje o povezanem svetu [Film]. [Lo and Behold: Reveries of the Connected World]
• Hettinger, N. (2005). Carlson's Environmental Aesthetics and the Protection of the Environment. Environmental Ethics, 57–76.
• Hettinger, N. (2014). Valuing Naturalness in the 'Anthropocene': Now More than Ever. In G. Wuerthner, E. Crist and B. Tom, Keeping the Wild: Against the Domestication of (pp. 174–179). Washington, D.C.: Island Press.
• Hribar Sorčan, V. and Kreft, L. (2005). Vstop v estetiko. Ljubljana: Filozofska fakulteta, Oddelek za filozofijo. [Entering Aesthetics]
• Jacobs, R. (29 October 2013). Why So Many Icelanders Still Believe in Invisible Elves. Retrieved from The Atlantic: http://www.theatlantic.com/international/archive/2013/10/why-so-many-icelanders-still-believe-in-invisible-elves/280783/
• Jamieson, D. (2003). Morality's Progress: Essays on Humans, Other Animals, and the Rest of Nature. Oxford: Clarendon Press.
• Kameda, M. (2015). Soviet cosmovision: First live broadcasts from outer space. Paper presented at the ASEEES annual convention. Philadelphia: PA. Retrieved 21 November 2015
• Kant, I. (1937). Dve razpravi: razmišljanja o čuvstvu lepega in vzvišenega: k večnemu miru. Ljubljana: Slovenska matica. [Two Treatises: Observations on the Feeling of the Beautiful and Sublime; Perpetual Peace]
• Kant, I. (1999). Kritika razsodne moči. Ljubljana: Založba ZRC. [Critique of the Power of Judgement]
• Kante, B. (2001). Filozofija umetnosti. Ljubljana: Jutro.
• Kante, B. (2008). Naravna in umetniška lepota pri Kantu: svobodna in zgolj pripadajoča (pogojna, odvisna) lepota. Analiza, 12(3), 81–99. [Natural and Artistic Beauty in Kant: Free and Merely Adherent (Conditional, Dependent) Beauty]
• Kante, B. (2009). Estetika narave. Ljubljana: Sophia.
• Katz, E. (1992). The Big Lie: Human Restoration. Research in Philosophy and Technology(12), 231–241.
• Katz, E. (2005). Velika laž: človeška obnova narave. Analiza, 4(9), 79–90. [The Big Lie: Human Restoration of Nature]
• Katz, E. (2012). Further Adventures in the Case against Restoration. Environmental Ethics, 34, 67–97.
• Klein, N. (2015). To vse spremeni: kapitalizem proti podnebju. Ljubljana: Mladinska knjiga. [This Changes Everything: Capitalism vs. the Climate]
• Kreft, L. (2007). The Second Modernity of Naturalist Aesthetics. Filozofski vestnik, 28(2), 83–98.
• Kreft, L. (2015). Estetikov atelje: od modernizma k sodobni umetnosti. Ljubljana: Znanstvena založba Filozofske fakultete Univerze v Ljubljani. [The Aesthetician's Studio: From Modernism to Contemporary Art]
• Kučić, L. J. (27 February 2016). Sobotna priloga. Vsak bo lahko skočil s planiške velikanke, pp. 24–25. [Everyone Will Be Able to Jump off the Planica Giant Hill]
• Kulvicki, J. V. (2014). Images. London and New York: Routledge.
• Kumerdej, M. (28 July 2015). Delo. Retrieved from Ocenjujemo: Maja Smrekar: http://www.delo.si/kultura/ocene/ocenjujemo-maja-smrekar.html [Review: Maja Smrekar]
• Kuzanski, N. (1997). O božjem pogledu. Ljubljana: Družina. [On the Vision of God (De visione Dei)]
• Latour, B. (2011). Pandorino upanje. Ljubljana: Študentska založba. [Pandora's Hope]
• Launius, R. D. (2013). Escaping Earth: Human Spaceflight as Religion. Astropolitics, 11(1-2), 45–64.
• Leopold, A. (2010). Deželska etika. Filozofija na maturi, 17(3/4), 74–85. [The Land Ethic]
• Lewis, A. (Director). (2015). This Changes Everything [Film].
• Loftis, J. R. (2003). Three Problems for the Aesthetic Foundations of Environmental Ethics. Philosophy in the Contemporary World, 10(2), 41–50.
• Luckerson, V. (2014). Meet the Guy Who Took the Most Famous Desktop Photo of All Time. Retrieved from Time: http://time.com/59521/windows-xp-desktop-photo-bliss-explained/
• Lundgren, L. and Evans, C. E. (2017). Producing global media memories: Media events and the power dynamics of transnational television history. European Journal of Cultural Studies, 20(3), 252–270.
• Lynch, D. (Director). (1990). Twin Peaks [Film].
• Maillet, A. (2009). The Claude Glass: Use and Meaning of the Black Mirror in Western Art. New York: Zone Books.
• Maskit, J. (2014). On Universalism and Cultural Historicism in Environmental Aesthetics. In M. Drenthen and J. Keulartz, Environmental Aesthetics: Crossing Divides and Breaking Ground (pp. 41–61). New York: Fordham University Press.
• Mazi, B. (24 December 2009). Iz jame, z ljubeznijo. Dnevnikov Objektiv, 16–18. [From the Cave, with Love]
• Mazi, B. (30 April 2009). Kdo na sodišču zastopa naravo? Drevesom ne pustijo. Dnevnikov Objektiv, 18–19. [Who Represents Nature in Court? Trees Are Not Allowed]
• Mazi, B. (28 February 2009). Živeti z velikimi zvermi. Dnevnikov Objektiv, 4–6. [Living with Large Carnivores]
• Mazi, B. (31 July 2010). Prostor za ptice je prostor za ljudi. Dnevnikov Objektiv, 16–18. [Space for Birds Is Space for People]
• Mazi, B. (2013). Geostationary Aesthetics of Nature. Estetika in vesolje / Aesthetics and Space. Vitanje: Slovensko društvo za estetiko.
• Mazi, B. (2014). Predlog za globoko estetiko narave. Analiza, 18(1/2), 77–92. [A Proposal for a Deep Aesthetics of Nature]
• Mazi, B. (18 April 2015). Modra frnikola: podoba, ki nas je spremenila v teranavte. Retrieved from MMC Rtvslo: http://www.rtvslo.si/znanost-in-tehnologija/vesoljski-vid/modra-frnikola-podoba-ki-nas-je-spremenila-v-teranavte/363122 [The Blue Marble: The Image That Turned Us into Terranauts]
• Merleau-Ponty, M. (2006). Fenomenologija zaznave. Ljubljana: Študentska založba. [Phenomenology of Perception]
• MicrosoftNL. (2014). The story behind the wallpaper we'll never forget. Retrieved from YouTube: http://youtu.be/AVXY8OEZAEQ
• Morton, T. (2009). Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge Massachusetts: Harvard University Press.
• Morton, T. (2013). Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis: University of Minnesota Press.
• Naess, A. (1973). The shallow and the deep, long-range ecology movement. A summary. Inquiry, 16(1), 95–100.
• Naess, A. (1993). The Deep Ecological Movement: Some Philosophical Perspectives. In S. Armstrong and R. Botzler, Environmental Ethics (pp. 437–448). McGraw Hill.
• Nechvatal, J. (2011). Immersion Into Noise. Ann Arbor: Open Humanities Press.
• Nicolson, M. H. (1959). Mountain Gloom and Mountain Glory: The Developement of the Aesthetics of the Infinite. New York: Norton.
• Oliver, K. (2012). To Touch the Face of God: the sacred, the profane, and the American space program, 1957-1975. Baltimore: The Johns Hopkins University Press.
• Paden, R., Harmon, L. K. and Milling, R. R. (2013). Philosophical Histories of the Aesthetics of Nature. Environmental Ethics, 57–77.
• Panic. (February 2016). Firewatch. (Panic) Retrieved from Campo Santo - Firewatch: http://www.firewatchgame.com/.
• Parsons, G. (2008). Aesthetics and Nature. London: Continuum Press.
• Petrič, Š. (2011). Citokromi P450, vključeni v hidroksilacijo steroidov pri dveh vrstah nitastih gliv rodu Rhizopus: doktorska disertacija. Ljubljana: Univerza v Ljubljani, Medicinska fakulteta. [Cytochromes P450 Involved in Steroid Hydroxylation in Two Species of Filamentous Fungi of the Genus Rhizopus: Doctoral Dissertation]
• Pham, C. K., Ramirez-Llodra, E., Alt, C. H., Amaro, T., Bergmann, M., Canals, M. et al. (2014). Marine Litter Distribution and Density in European Seas, from the Shelves to Deep Basins. Retrieved from PLoS ONE: http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0095839
• Platon. (2004). Zbrana dela. Celje: Mohorjeva družba. [Collected Works]
• Pogačnik, M. (1986). Zmajeve črte, ekologija in umetnost. Maribor: Obzorja. [Dragon Lines, Ecology and Art]
• Pogačnik, M. (1993). Ko se boginja vrne. Ljubljana: Iskanja. [When the Goddess Returns]
• Pogačnik, M. (1996). Elementarna bitja: inteligenca Zemlje in narave. Ljubljana: Iskanja. [Elemental Beings: The Intelligence of Earth and Nature]
• Reid, G. (Director). (2012). Overview. [Film]. Retrieved from http://www.overviewthemovie.com/
• Rolston III, H. (1998). Aesthetic Experience in Forests. Journal of Aesthetics and Art Criticism, 56(2), 157–166.
• Rolston III, H. (2015). Rediscovering and Rethinking Leopold’s Green Fire. Environmental Ethics, 37, 45–55.
• Saito, Y. (1984). Is There a Correct Aesthetic Appreciation of Nature? Journal of Aesthetic Education, 18(4), 35–46.
• Saito, Y. (1985). The Japanese Appreciation of Nature. British Journal of Aesthetics, 25(3), 239–251.
• Saito, Y. (1998). The Aesthetics of Unscenic Nature. Journal of Aesthetics and Art Criticism, 56, 101–111.
• Saito, Y. (1998b). Appreciating Nature on Its Own Terms. Environmental Ethics, 20(2), 135–149.
• Saito, Y. (2007). Everyday Aesthetics. Oxford University Press.
• Saito, Y. (2014). Future Directions for Environmental Aesthetics. In M. Drenthen and J. Keulartz, Environmental Aesthetics: Crossing Divides and Breaking Ground (pp. 25–40). Fordham: Fordham University Press.
• Santayana, G. (1955). The sense of beauty: Being the Outline of Aesthetic Tehory. New York: Dover Publications.
• Scheler, M. (1997). Človek kot ekscentrik življenja. Phainomena, 6(19/20), 63–71. [Man as the Eccentric of Life]
• Schenkman, R. (Director). (2001). K-Pax [Film].
• Schopenhauer, A. (2008). Svet kot volja in predstava. Ljubljana: Slovenska matica. [The World as Will and Representation]
• Scruton, R. (2011). Fotografija in reprezentacija. In B. Kante (ed.), Estetika in filozofija umetnosti: analitična tradicija. Maribor: Aristej. [Photography and Representation]
• Sekula, A. (1981). The Traffic in Photographs. Art Journal, 41(1), 15–24.
• Sepänmaa, Y. (1986). The Beauty of Environment: A General Model for Environmental Aesthetics. Helsinki: Annales Academiae Scientiarum Fennicae.
• Sepänmaa, Y. (1996). "Kmalu bo v vsakem od nas mala krava" Estetika v praksi: Prolegomena. Anthropos, 87–92. ["Soon There Will Be a Little Cow in Each of Us": Aesthetics in Practice: Prolegomena]
• Sontag, S. (2011). Zapiski o campu. Likovne besede, 94, 2–8. [Notes on "Camp"]
• Stimson, B. (2006). The pivot of the world: photography and its nation. Cambridge: MIT Press.
• Stopar, K. (30 October 2012). Radio Študent. Retrieved from In medias res: Maya YogHurt: /http://radiostudent.si/kultura/fine-umetnosti/in-medias-res-maya-yoghurt
• Škamperle, I. and Mezgec, I. (2012). Dotiki pokrajine. Trst: ZTT. [Touches of Landscape]
• Šmitek, Z. (2011). Mitološko izročilo Slovencev: svetinje preteklosti. Ljubljana: Študentska založba. [The Mythological Heritage of the Slovenes: Relics of the Past]
• Šmitek, Z. (2012). Poetika in logika slovenskih mitov: ključi kraljestva. Ljubljana: Študentska založba. [The Poetics and Logic of Slovenian Myths: Keys to the Kingdom]
• Šumič - Riha, J. (2002). Mutacije etike: od utopije sreče do neozdravljive resnice. Ljubljana: Založba ZRC. [Mutations of Ethics: From the Utopia of Happiness to Incurable Truth]
• Tafalla, M. (2011). Rehabilitating the Aesthetics of Nature: Hepburn and Adorno. Environmental Ethics, 33(1), 45–56.
• Tatarkiewicz, W. (2000). Zgodovina šestih pojmov. Ljubljana: Literarno-umetniško društvo Literatura. [A History of Six Ideas]
• Thompson, J. (1995). Aesthetics and the Value of Nature. Environmental Values, 17(3), 291–305.
• Tratnik, P. (20 October 2016). Becoming (m)other – Maja Smrekar's biopolitical manifesto. Retrieved from 44th International Colloquium of the Slovenian Society of Aesthetics: Art and aesthetics under post-transition: https://vimeo.com/188318920
• Tratnik, P. (2016). Bio art from the other Europe. The crisis in the humanities: transdisciplinary solutions, 183–191.
• Trček, P. (4 April 2016). V Napoleonovem drevoredu bodo zamenjali skoraj 200 lip. Retrieved from http://notranjskoprimorske.si/2016/04/v-napoleonovem-drevoredu-bodo-zamenjali-skoraj-200-lip/. [Almost 200 Lime Trees to Be Replaced in Napoleon's Avenue]
• Tuan, Y.-F. (1974). Topophilia: A Study of Environmental Perception, Attitudes, and Values. New York: Columbia University Press.
• Turner, F. (2012). The Family of Man and the Politics of Attention in Cold War America. Public Culture, 24(1), 55–84.
• Urad vlade RS za komuniciranje. (2011). Državni simboli in znamka Slovenije. Retrieved from Dvajset let samostojnosti: www.dvajset.si [State Symbols and the Brand of Slovenia]
• Uršič, M. (2010). Štirje časi: filozofski pogovori in samogovori. Jesen: tretji čas. Daljna bližina neba: človek in kozmos. Ljubljana: Cankarjeva založba. [Four Seasons: Philosophical Dialogues and Soliloquies. Autumn: The Third Season. The Distant Nearness of the Sky: Man and Cosmos]
• Uršič, M. (2011). Starry sky as »the greatest museum of natural history. Poligrafi, 61–62(16), 215–229.
• Vakoch, D. A. (2011). Psychology of Space Exploration: Contemporary Research in Historical Perspective. Washington D.C.: N.A.S.A.
• Vesel, M. (2007). Nebeške novice Galilea Galileija. (M. Hriberšek and M. Mihelič, Trans.) Ljubljana: Založba ZRC. [Galileo Galilei's Sidereus Nuncius]
• Vesel, M. (2009). Kopernikanski manifest Galilea Galileija. Ljubljana: Založba ZRC. [Galileo Galilei's Copernican Manifesto]
• Vogel, S. (2003). The Nature od Artifacts. Environmental Ethics, 25(2), 149–168.
• Walton, K. L. (2007). Prozorne slike: o naravi fotografskega realizma. Analiza, 11(4), 99–123. [Transparent Pictures: On the Nature of Photographic Realism]
• Weisman, A. (2009). Svet brez nas. Ljubljana: Modrijan. [The World Without Us]
• Wells, K. (2014). We Are Dead Stars. Retrieved from The Atlantic: https://web.archive.org/web/20140514070433/http://www.theatlantic.com/video/index/370784/we-are-dead-stars/
• White, F. (1998). The Overview Effect: Space Exploration and Human Evolution. Reston: AIAA.
• Wulf, A. (2017). Iznajdba narave: Pustolovščine Alexandra von Humboldta, izgubljenega junaka znanosti. Ljubljana: UMco. [The Invention of Nature: Alexander von Humboldt's New World]
• Yogananda, P. (2007). God Talks With Arjuna (Vol. 1). Kolkata: Yogoda Satsanga Society of India.
• Zangwill, N. (2001). Formal Natural Beauty. Proceedings of the Aristotelian Society, 101, 209–224.
• Zeimbekis, J. (2012). Digital Pictures, Sampling, and Vagueness: The Ontology of Digital Pictures. Journal of Aesthetics and Art Criticism, 70(1), 43–53.
• Ziff, P. (1979). Anything Viewed. In R. Hilpinen, I. Niiniluoto and M. B. Hintikka, Essays in Honor of Jaakko Hintikka on the Occasion of His Fiftieth Birthday on January 12, 1979 (pp. 286–293). Dordrecht: Reidel.
• Zorman, B. (2012). Ni naravno. In N. Furlan-Štante and L. Škof, Iluzija ločenosti: ekološka etika medsebojne soodvisnosti (pp. 205–216). Koper: Univerzitetna založba Annales. [It Is Not Natural; The Illusion of Separateness: An Ecological Ethics of Mutual Interdependence]